Winehouse’s groundbreaking Back to Black this week sees a return to the no.1 album chart position more than four years since it held that spot in 2007. According to HMV, so phenomenal was last week’s demand for the late singer’s Grammy-winning CD, the music stockist had completely sold out by Thursday.
Meanwhile, a week-and-a-half after her passing, more and more fans continue to gather outside the singer’s
Fans from her local area of
“I was at my aunt’s house. My aunt turned on the TV to
Alicia reveals becoming a fan in 2007 after seeing promotional content of Back to Black on Perez Hilton’s website. Instantly she was taken by Winehouse’s signature sound.
Another fan at
“Back to Black was the album that first established my connection with Amy. It’s one of those albums you can play to anyone. I played it to family who never knew anything about her and instantly they thought she was a genius”.
“She was with her dad. I had a small chat with her… I said ‘I think you’re amazing and don’t let anyone tell you differently; just keep doing your music’. She was really lovely and said ‘thank you babe!’. I just thought you could see the child in her eyes the whole time, despite the public image”.
Alas, it was this ‘public image’ that afforded Amy Winehouse an undesirably turbulent reputation, whilst an insatiable media capitalised on the singer’s litany of drug affairs. Fans who gather at
“I hope that people do not glamorise the drink and drugs”, one Columbian fan visiting the square mutters.
“We all as human beings have our own demons and everyone has their own ways to fight them”, Georgina Kosky continues. “Some people succeed; some people do not succeed, and I don’t think we’re entitled to criticise her way of life because we were not in her shoes to know why she did what she did”.
Inevitably, the question of ‘who is to blame’ has gathered momentum since Amy Winehouse’s death.
“It seems as though she had a lot of support”, Evi J argues. “It looks like she couldn’t get herself out her rut. That’s how it seems to me, but who’s to know?”
Evi poses a very good question. The final interviewee I question at
Truth be told, much of Winehouse’s company was as ominous as the paraphernalia that led to her untimely demise. For one, the singer was perennially linked with rockstar Pete Doherty who is alleged to have supplied her with drugs.
That said, both elements – addictions and relationships – would play a considerable role in providing much of the content themes on Amy Winehouse’s five Grammy award–winning sophomore effort. Back to Black today features five songs in the top 40; including Rehab, which features autobiographical lyrics concerning the singer resisting medical help for her alcoholism.
And how better to honour our very own soul sensation than returning her to the fame and success that her music phenomenally reached over the course of just two albums? Meanwhile tributes keep coming to Camden Square with heartfelt messages such as “Your music nursed me thru hard times…” and, “At the touch of a button, you are alive again; music is immortality”.
Indeed, truly will this extraordinary feat form an integral part of Amy Winehouse’s legacy. As well as for being the pioneer who delivered an elixir to the ‘stuffy’ and ‘tired’ jazz and soul genres; for being the forerunner who paved the way for Adele, Duffy, and a continuum of other British female experiments to surmount transatlantic fame; and most importantly; for being the British singer and songwriter, who revitalised the UK urban music scene; and its perception worldwide.
Perhaps summing Winehouse up best though, was my Columbian interviewee
And this is yet further reason why Amy Winehouse has undoubtedly made a lasting impression on both British and global music scenes; to live on through fans throughout the world, for ages to come.